Happening in Melbourne

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Finally Spring is here in Melbourne. Nice cool weather not too hot and not too cold. Sunshine also most every second days......and lots of blooming flower. It is a great time to check out the art scene with out freezing to death!

I went to Craft Victoria the other day to see three shows by three different jewellers.


The first is “Melancholic Nights/Arcadian Daze” by Stephen Gallagher. The show reflects upon the spirit of the Elizabethan Era, its poetry, and the who's who of the ornaments of the court. It is a very exciting show...both his work and how he display them. I wish i have a camera with me to take show photo and show you. It is very hard to explain by writing. I like his work a lot and i think of it as a wearable art than jewelery or accessories.


The second show is “Love You More Than Life” by Irene Grishin-Selzer, a ceramic show (Yippee!). Irene also run Iggy and Loulou a fashion accessories studio. She use skulls to present classic tensions between love and loss; pleasure and fear; beauty and death. Her accessories range is very successful too. My Thai friends like her accessories work a lot. I also enjoy her show as well.


And the last show at Craft Victoria is “Buena Vista” by Anna Davern. I think this is my favorite one. Anna uses vintage biscuit tins to exploits the political import of the silhouette. She manipulate the tin buy cutting some part away turn it into an object of adornment, whilst the hollow spaces left behind trace a troubling relationship to national identity. Anna create a little theater stage in her little metal biscuit tin. I think her work is very witty and fun.


The next show that i will check out is a show by Lynda Draper at Gallery Smith. It seem like a new gallery. I never herd of it before but i have known Lynda work for a long time and long to have one in my collection. I think her works is very beautiful. I don’t know her personally but i would love to meet her.....as may be she might like to swap her work with me.....this is how i grow my ceramic collection :)

DON'T buy SPORE!!!!!!!

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Well, it is now officially Spore is a must NOT have game!

Just reading the new this morning about the game sued over anti-piracy software. Basically when you install the game to your computer, the game also install an anti-piracy software, SecuROM, to your computer as well...with out telling you or asking for permission. You are given no control, rights or options over SecuROM and once installed, it becomes a permanent part of the your' software portfolio. Even if you uninstalls Spore and entirely deletes it from your computer, SecuROM remains a fixture in your computer unless and until you completely wipes your hard drive through reformatting or replacement of the drive.

Here is the detail

Spore creators sued over anti-piracy software


The freshly-launched Spore computer game that lets people play God has been hit with a lawsuit accusing its creators of slipping devilish anti-piracy software onto players' machines.

The lawsuit filed this week in a federal court in Northern California contends that players were not warned about tenacious digital rights management (DRM) software that stays in computers even if game programs are removed.

Spore maker Electronic Arts told buyers that there are anti-piracy safeguards but did not advise people the SecuROM program it used "is essentially a virus that installs itself without warning," the lawsuit alleges.

The DRM software attaches itself to the "command and control centres" of computers and tracks activities, blocks certain operations and even disrupts hardware, according to the suit filed on Monday (local time).

A US woman was named as the plaintiff in the lawsuit, which is seeking class action status to represent all Spore buyers.

The filing demands a jury trial and wants Electronic Arts forced to pay unspecified damages as well as turn over money it has made from Spore, which went on sale in Europe, Asia, Australia and the United States this month.

Electronic Arts declined an AFP request for comment, saying it does not discuss pending litigation.

DRM software is commonly used to thwart piracy of video games, as well as digitised music and films.

- AFP



Ergon Energy 2008 Art Awards

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The Rockhampton Art Gallery announces a call to artists to enter its 2008 Ergon Energy Central Queensland Art Awards.

This prestigious competition offers $15,000 in acquisitive awards plus additional purchases by the Gallery and sponsors from the finalists’ exhibition, which will be held 12 December 2008 – 8 February 2009.

Entries are invited from ceramic artists for the $10,000 Ergon Energy Award for a ceramic art form.

As well, young artists (between the ages of 18-26) are invited to submit entries for the $5,000 Charles Ware Award for Young Artists for works on paper.

The deadline for entries is Friday 10 October 2008.

For more information contact 4936 8248 or click on the link below to download the entry form and conditions of entry.

Entry Form and Conditions of Entry

Happening in Sydney!

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I went to National Gallery of Victoria (NGV) yesterday to see an exhibition calls “Look!” suggested by Kevin Murray. There are a few ceramic works in the show but i was most impressed by Prue Venables and Gwyn Hanssen Pigott works which are not in the show but were on display in the gallery. The display of their works is very dramatic, in a dark room, dark cabinets but beautifully lit up in side the cabinets. The works grow!

Seeing these very beautiful pots in NGV remind me of other beautiful pots made by a very good friend of mind, Kristen Coelho, who is having a show in Sydney at Helen Stephen Gallery at the moment. I heard a big rumour that two of her pieces from the show have been acquired by the national Art Gallery of Australia (personally hand picked by Robert Bell, Decorative Arts and Design Senior Curator who also came to the show opening..... among other well-known guests like Khai Liew and Gwyn Hanssen Pigott ). Congratulation Kristen! If you are in town please visit her show.

Also happening in Sydney at 4A Gallery is a Symposium

“Asian-Australian Art Now: Positioning the Field[s]” 




A Gathering of key artists, arts administrators, writers, theorists and curators from around the country in an open workshop discussing what constitutes Asian-Australian art now.


SATURDAY 27 - SUNDAY 28 SEPTEMBER 2008
9.30AM ON BOTH DAYS

Good list of gusts speakers including Prapon Kumjim, a Thai artist and curator, who is doing his Phd at RMIT in Melbourne at the moment.

A visit from Mozambique ceramist - Mapfara

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Mapfara and Chris Headley

A young ceramicist from Maputo, Mozambique has arrived in Melbourne for six months thanks to a Commonwealth Fellowship. This is a once in a life time opportunity to experience another world of ceramics, art and craft.

Mapfara visited me at my St. Kilda studio yesterday. Accompany by Kevin Murray from Craft Unbound (who is also a photographer of the image show above). Chris Headley and I warmly welcomed him into our studio and showed him around. I have chocolate cake and Rocky Road waiting for them.

Mapfara impressed with our ceramic materials and tools. He particular interested in colour statin when he saw Stephen Benwell work. He is also a painter so he interested in ceramic painting technique so he can try it on his ceramic work. H is also very keen to get his hand on clay again. He is now sharing a studio with Ann Ferguson, a ceramic artist, in Collingwood. Mapfara made a comment that his new studio (in Australia) is quite far away from home where he stay (he ride a bike to studio). In Maputa, where he came from, he has a big studio attach to his house. Hmmm, i wish i have that sort of studio too.



Above is an example of some of the strange fantastic creatures that he has made out of clay back home. There's rumour of an exhibition of his work with another Mozambican artist in February next year.

SPORE - Finally

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Oh yea, i got it now "SPORE". After many days waiting for it to be release, i am so disappointed! The game was fun only the first part of the game but after that it get very boring.



The first part of the game, you play a little underwater cell, which try to grow up by eating plant or meat. The more you eat the faster you grow, you can add different part of body to improve your cell life. The cell is so cute and fun to manipulate and I think this is the most fun and most visually attractive of the game. After that it rolling down the hill!



Then the cell involve and move up to the land. This part you play a creature (which invlove from your cell). Game play is similar to the first stage eating and fighting and involving to a better creature (you can add better hands, eye, weapon to your creature as you go along). Still fun but not so much.



And your creature involve again into a tribal. You now control a whole group of them. Here you try to be the biggest tribal in the village. This part give you very The Sim like feel, language, background music, bell ring, symbols and more stuffs that remind me of The Sim. I start to get a bit bored here.



And from tribal, you again involve another big step, this time you tribal become a city. You no longer control your creature but you control the creature's city! The aim is to be the biggest city in the world! Well, here is where i stop! I think this section is very similar to Sim City which, unfortunately, not my favorite game. So i rise my little cell to this point and stop. I could not make myself go beyond this point.

I believe after this part you involve again and move from land to space. I have not play this bit yet so don't know how it like but not very keen to find out.

This is just my personal view only. Someone else might like the game. However, if you want to buy the game please check on YouTube to see how the game work first so you won't be disappointed like me.




Thai Cearmic Museum

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I saw this article at Thai Asia Today .com (http://www.thaiasiatoday.com/art--culture/art--culture/ceramics-museum-forged-by-academic-philanthropist.html) and want to share it with everyone

Surat Osathanugrah, the founder of Bangkok University, first began collecting ceramics in the 1950s. His generosity became apparent after he decided to donate works from his own collection to the Southeast Asian Ceramics Museum, which he established at the university in 2005

The museum's curator, Pariwat Thammapreechakorn, says the collections on display are mainly Thai ceramics produced during the 14th and 16th centuries. There are also examples of Burmese, Chinese, and Khmer ceramics, each rare and valuable in terms of their origin.

The museum provides basic information and examples of ceramics in different categories. Lots of examples of earthenware, stoneware, and porcelain are on display, which differ according to the kind of clay used, the method of production used, the kiln site where they originate, or in terms of the decorative finish.

Several different forms of glazing can be compared thanks the inclusion of various examples highlighting different kinds of finish, including underglaze, monochrome (single color) and celadon. In terms of form, there are plenty of interesting examples, including bottles, spouted jars (known as Kendi in Indonesia), storage jars, or other forms, which also include a brief general information on the origin of each piece on display.



Rare examples

There are a couple sets of Burmese ceramics (from the 15-16th centuries) and Khmer ceramics (from the Angkorian Period [or 9-13th centuries]), representing a tribute to Mon and Khmer cultural wisdoms in the art of pottery. The 'piece de resistance', which you won't find anywhere else, is a Khmer jar featuring an elephant with its mahout on board. This is considered the rarest of its kind due to the inclusion of a depiction of traditional Khmer plays on its sides. The jar, which is also in excellent condition, was found near Ban Tak in Tak province. It stands 30.2-centimeters tall and is thought to have been produced at a kiln in Buriram province in the 11th century.

There are several ways to identify the origin of particular ceramics and the kilns where they were produced. At one time, there were numerous kiln sites in the north of Thailand, and the museum has managed to locate plenty of examples for display, including items produced in kilns located at Wiang Bua (Phayao province, 14th century), San Kamphaeng (Chiang Mai province, 14-15th centuries), Wang Nua Kilns (Lampang province, 14-15th centuries), Wiang Kalong – Payoom group (Chiang Rai province, 15-16th centuries), Phan (Chiang Rai province, 15-16th centuries), and Boh Suak (Nan province, 14-15th centuries).

The museum also features ceramics produced at kilns in Si Satchanalai in Sukhothai province. The Si Stachanalai-Ko Noi group of kilns operated during the 15th century, whereas the Si Satchanalai–Pa Yang group of kilns operated during the 16th century. According to Pariwat, Sawankhalok and Si Satchanalai are interchangeable names. Sawankhalok was the district name at the time the kilns were first identified in the late 19th century, while the name Si Stachanalai, referring also to Si Satchanalai Historical Park, is a more modern reference.

The oldest collection in the museum is prehistoric earthenware found at Ban Chiang in Lop Buri province. Examples from this collection date back as far back as 3,000 BC. The museum also features one of the rarest dishes produced during China's Ming era. Eighteen Burmese, Chinese, Khmer, Thai, and Vietnamese storage jars are also on display in a three-story case, through which visitors can compare and contrast their various shapes, designs, and other details.

The museum also provides visitors with the opportunity to learn more about the significance of ceramics with regard to trade, highlighting six periods of Thai ceramics in chronological order, covering 1368-1580.

The Southeast Asian Ceramics Museum was established with the aim to provide an accurate source of knowledge for students and the public regarding ceramics in Thailand and Southeast Asia. At one corner of the museum is a 'Hand Hole' display. This allows visitors to actually feel the various ceramics on display. The museum also plans to provide several other useful services relating to ceramics, including a specialist library, ceramic restoration services, as well as organizing special exhibitions.

The Southeast Asian Ceramics Museum is located at Bangkok University's Rangsit campus in Pathum Thani province. It opens Tuesday through Saturday during 9 am-4 pm. For further information, call Tel: +66 (0)2 902 0299, extension 2890.


Transport connections:

Bus: Frequent rot dtoo (minibus) services run from the Phahol Yothin side of Victory Monument to Bangkok University's Rangsit campus via expressway. To reach Victory Monument from other parts of the city, you can hop on a BTS skytrain and hop off at the station bearing the same name.

Arporn-Ngam Dance Theatre

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Arporn-Ngam Dance Theatre A Thai dance company with strong intention to succeed and conserve Thai histrionics - both performances and elements. The costumes, in particular, were reproduced as elaborate and delicate as original works dated back to a century. Our productions are widely appreciated by Thai and overseas audiences and recognized as quality works that represent the pride of Thai culture.
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visit Arporn Ngam website to see their performances and costumes